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The cliche of the "difficult third album" is rooted in reality. The Eminem Show certainly finds the rapper at an intriguing and crucial juncture in his career. "Whoever put my shit on the internet, I want to meet that motherfucker and beat the shit out of him, because I picture this scrawny little dickhead going, 'I got Eminem's new CD! I'm going to put it on the internet!' I think that anybody who tries to make excuses for that shit is a fucking bitch." The man who wrote songs called Just Don't Give a Fuck and Still Don't Give a Fuck has apparently found a subject he gives a fuck about.Ī cynic might suggest that the internet piracy palaver is a convenient way of detracting attention from the album's content. "I think that shit is fucking bullshit," he remarked. Eminem himself has weighed in with the sort of sparkling and considered argument against internet piracy that Liam Gallagher would applaud for its eloquence. So widespread and serious is the result that his label has been forced to bring the release date forward by a month. Last weekend, it was reported that bootleg CDs of the album were available on the streets of New York for a bargain $5.
Eminem the eminem show download#
The Eminem Show has been readily available for illegal download on the net for weeks. As Marshall Mathers III readies his third album, The Eminem Show, the controversy stems from a more mundane source: internet piracy. No pressure group has accused him of penning "the most blatantly offensive homophobic lyrics ever" or compared him to Hitler, as Peter Tatchell did last year. No one has attempted to sue him for defamation. This time, however, the storm is rather different. No new release from the rapper who can justifiably claim to be the world's most notorious recording artist would be complete without controversy. Such trifles, however, do not seem to fit Eminem.
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Eminem the eminem show tv#
Most content themselves with a tabloid splash based on their love life or a self-produced TV documentary highlighting their genius, munificence and, of course, their regular-guy humility. Love him or hate him, the joke’s on you.T oday, it is de rigueur for major artists releasing a new album to receive a publicity blitz that stretches far beyond the usual interviews and reviews. But Eminem attempts to counterbalance the venom with frequent loving words about his daughter (“the only lady that I adore”) and even a playful but still X-rated duet with her, “My Dad’s Gone Crazy.” And though the remaining tracks, such as the album’s first bouncy single, “Without Me,” and the militant “Till I Collapse” are filled mostly with shameless boasts about Eminem’s celebrity and rap skills, his insidious hooks and ambitious internal rhymes will ensure that each of his songs gets lodged firmly in your head. “Cleanin Out My Closest” is an especially aching and bitter open letter to Mom set against a background of delicate percussion and faux strings (“Remember when Ronnie died and you said you wished it was me?/Well, guess what, I am dead/Dead to you as can be”), and part of the balladic “Hailie’s Song” is a caustic testament to Eminem’s former devotion to his ex (“I’ve went to jail for this woman, I’ve been to bat for this woman/I’ve taken bats to people’s backs, bent over backwards for this woman”). Dre (“the most feared duet since me and Elton played career Russian roulette”) opening with a thugs-in-Make Believe skit: “Marshall, sounds like an SOS.” “Holy wack, unlyrical lyrics, Andre, you’re fucking right!” “To the rapmobile!” Not that Slim Shady is the next Weird Al, mind you he’s still using his art to work out his much-publicized problems with his mother and his wife. You know I love you.” The joking tone carries over to the next song, “Business,” with Eminem and guest Dr. Cheney! Fuck you, Tipper Gore! Fuck you with the freest of speech this divided states of embarrassment will allow me to have, fuck you!” then, a second later, a giggle and a gentle “I’m just playin’, America. The track escalates to an angry “Fuck you, Ms. Eminem addresses his detractors at the beginning of his third LP with the slow pound of “White America,” claiming that his lyrics are deemed controversial only because he’s white (“Surely hiphop was never a problem in Harlem, only in Boston/After it bothered the fathers of daughters starting to blossom”). The Eminem Show ends with 6-year-old Hailie Jade Scott proclaiming, “You’re funny, Daddy!” It’s too bad that the outraged of the world can’t see the outre rapper with his daughter’s clarity.